Mary stuart porn

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Mary Stuart. I carefully pick the reel of 8mm film out of the tin in which it has sat for decades. I spool the film reel onto a projector, and switch it on. Images from the fragile strip start to flicker across a white-washed wall that acts as a makeshift screen. Two figures materialize in primary colors, sitting on an unpleasantly brown couch. The film zooms in, clumsily and without warning, on the face of the male. He is recognizable as adult film performer Levi Richards. He smirks gently at his female mary stuart porn, flirting shyly with her.

The camera jerks sideways to study his partner, clumsily re-focusing so we can linger on her features. She has a lean ballet-dancer body, cropped dark hair, and wears round Billie Jean King glasses that are comically large on her puckish, boyish features. Her mouth pouts in an asymmetrical and asexual way and, when she smiles, her mary stuart porn protrude unevenly like a white zipper. But this is a porn loop, and there are conventions that must be obeyed, so within minutes our players disrobe, their modesties are abandoned, and a sexual encounter — with its multiple mutations — begins.

Surprisingly it is the coy female who takes the lead, dictating the positional variations. Their interaction continues obliviously — even when a third person, a light-skinned black man, enters the room. Without being invited, he too undresses and quickly enters the fray. And that would be that — except for one brief detail, a disturbing moment towards the end of the single-scene movie.

Out of nowhere, she is slapped in the face by Johnny-come-lately. Nothing leading up to this moment had suggested this outcome. She appears surprised, and bewildered too, that it has happened in this scenario. And then, just as quickly, the picture flicks to black, as the single disconnected reel of film flails noisily announcing the end of the show. Firstly, there was the actress with the quirky, androgynous features. I recognized her as a New York adult film performer who went by the name Mary Stuart.

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While never rising to the level of Times Square box office porno queen in the vein of Linda LovelaceGeorgina Spelvinor Jennifer Wellesher happy-go-lucky — and often just plain goofy — presence had brightened twenty or so features over a three-year period in the mids. And then there was the startling end to the short film. X-rated loops in the s often showcased content considered taboo for sexplicit feature films, but those themes were always an integral part of the storyline. But the slap in this loop appeared random and gratuitous enough that it seemed unplanned and spontaneous.

It transformed the loop from a contrived sex vignette into a fleeting documentary. Thousands of loops were produced in the early s. They were usually made cheaply by hacks, and sold expensively by the mob. They were distributed via mail order or in adult bookstores — often furtively, under the counter, especially in areas lacking the community standards required by law to sell them legally. Nearly all were forgettable and forgotten — both by those who made them and by those who watched them. But they make up a critical missing link in the development of adult film, a nexus often neglected by the higher-profile success of porno chic among the intelligentsia and chattering classes.

But what was the story behind this 8mm film? How did it come about, and who made it? Did anyone see it? Did Mary Stuart know she was going to be slapped and, if so, how did she react to the idea? A few days later, I met up with Levi Richards, the first actor in the loop, and brought along a copy of the film to see if he had any memories of it. Levi watched the film clip in silence, before sitting back and shaking his head.

He had no recollection of this one. But he did remember Mary Stuart. Then Radley Metzger cast them both in his sexually explicit adaptation of the literary hoax, Naked Came the Stranger — Levi played a successful radio show host who is more interested in his affair with his lover, played by Mary Stuart — so they wound up spending more time together. At first, they just rehearsed lines, then they dated a few times. She was smart — she told him she had two degrees from a college in Rhode Island — and was good company and fun.

But before their relationship could develop further, Mary broke it off unexpectedly. It was no big deal. I think the truth was that I was too square for her. Mary, in Chamber Maids Both remembered her instantly, and spoke of her unusual but photogenic features, as well as her professionalism on set. Neither of them knew anything about her private life.

I called up Harry Reemsveteran of the industry trailblazing film Deep Throatat the time living out a well-deserved retirement in Utah. He responded immediately in his usual exuberant way. Mary was a doll, he exclaimed. One of the sweetest people you could meet.

No hang-ups, pretenses, or airs and graces. But then the atmosphere at the gatherings changed. Harder drugs were introduced, and there was a sharper edge to the evenings. The three of them were an unusual combination: Andrea was the materialistic older bird intent on getting her monetary just deserts from the exploiters of her carnal talent, Valerie was the under-aged, troubled kid who was as directionless as she was clueless, and Mary was the intelligent, mary stuart porn, well-balanced member of the threesome.

Andrea said that Mary was a dancer, and had made half-hearted attempts to pursue a theatrical career, but lacked the discipline to gain a mary stuart porn. They all shared an apartment for a brief moment, before Mary moved in with Bob. Andrea and Valerie remembered the good times with Mary: mary stuart porn parties, the friendship, the brief snatches of notoriety from the porn films.

They also recalled how their contact with Mary disappeared overnight after she moved out. Occasionally they bumped into Mary after that, but were disturbed by her physical deterioration.

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She had large bags beneath bloodshot eyes, and lacked the same happy spark. Sandi knew most of the X-rated talent well. She knew what they were like on camera, and just as importantly, knew what they were like away from the set. Knowing them personally was important to her: if someone was going to flake on a director, Sandi wanted to know in advance.

Being unreliable was a cardinal sin for anyone appearing in a low budget movie. Don was an ex-army guy with a huge tattoo of a crying Jesus on his back. At the time, I was struggling to pay bills, feed myself and my cat, and get around by subway or cab, so Mary and Don introduced me to the world of porn films. Bob Hollis, in Lady on the Couch What ignited his lusty fuse was exerting control over people in real life.

They moved in together, and their sexual behavior became more transgressive and riskier. I asked her about it. Mary and Bob Hollis, in Honeypie They wanted to be up — wired, feeling good, and partying. Sandi, like several others, thought about Mary often over the ensuing years, and worried about her fate. Bob Hollis, in Sensuous Flygirls If Bob Hollis remained an enigma, there are clues to him in some of the adult films he made. Bob wrote and directed a scene for me based on the sexual rituals routinely performed in his private life. Bob directed it, and all I had to do was film the action.

The scene left a lasting impression on Ziehm, and he wrote about the dynamic between Bob and Mary over several s in his autobiography, Take Your Job and Shove It Once there is no doubt that she wants to go forward, her wrists and ankles are bound with leather cuffs attached to the chains connected to the hooks on the wall. She is left with her arms incapacitated and her mary stuart porn pulled back over her head. When he sees that her skin is only turning pink, he takes the whip away, and lashes her more intensely, repeatedly demanding that Mary beg him to continue. Bob offers her a chance to stop.

She refuses. From a nearby table, he grabbed a chain about two feet long with a pair of nipple clamps attached to each end. Only the whites were showing as she made a last concerted effort to pull the clamps free. Her ordeal is over and she shows no to indicate that she did not enjoy every minute of it. Hard to believe it was their normal sex routine. One of the first New York sex film performers, Jason Russellalso remembers a scene involving Bob that appeared in the film Dominatrix Without Mercy This time however the female submissive in the scene with Bob was C.

Bob Hollis, C. Laing still remembers Mary Stuart — which is understandable, given they were once close mary stuart porn. And she still remembers Bob Hollis too — which is also understandable given the effect he had on her life.

Many years have passed since the events she describes, but some memories linger for the wrong reasons. Most of all, she was a kind and gentle person, and non-judgmental — which was important to me.

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We all used to hang out together, going out dancing at the Loft, or staying in and having sex and doing drugs. It was there that C. It was Bob who introduced me to shooting cocaine. He was dealing out of our apartment, and Mary and I were enlisted to help him, whether we liked it or not. I mean, we went to Columbia once to bring back drugs for him….

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Basically he was a pimp, and tricked Mary out. He made me do pay-for-play too. Mary managed to leave at one stage, but I stayed. Then I left, and Mary returned to Bob. Then I went back too. Mary, in Rollerbabies Mary, in Two Senoritas Part of the reason was mere curiosity. I wondered how someone lives a normal life after such an intense chapter in their youth.

Mary stuart porn the other reason was a misplaced investment in her life. Seeing her in an early loop, lithe, wide-eyed, and expectant, and then hearing about her and the way she lived engendered many questions. What had become of her? How did her story continue after she left New York?

In an instant, the son had become the older man, now taking care of his younger father. In the case of Mary Stuart, she is forever trapped on screen in her films, a perpetually young elf, incapable of growing old.

Mary stuart porn

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